Description
Barbir’s low-output EP addresses the social constraint of the repetitive output. Whether creative or consumer, one will be seen as an eternal fountain, from which ideas (outputs) spring (Bruce Naumann Self-Portrait as a Fountain 1966). His 3 low-outputs impress with a dodgy monotony, which is disturbed by small escapes/outbreaks. Those outbreaks throw the monotony off the grooves (life). With this method the artist consolidates his position against the norm. While the whole EP deals playfully with the normative, San Proper did not resist from creating a small escape/outbreak himself: instead of remixing a track as usual, the whole EP was interpreted in one track.
