Description
Holy Grail territory here from Andy Votel and Demdike’s mighty Dead Cert imprint – here finally bringing you this incredible album of previously unreleased Industrial-themed recordings made in 1976 by experimental pioneer and Ennio Morricone cohort Alessandro Alessandroni. The concept itself is riveting enough: the guy who provided that infamous guitar riff for ‘The Good, The Bad and The Ugly’ providing utterly bent and synth-heavy recordings previously unheard by the wider world – but the material and execution is just nothing short of a revelation, unlocking an uncannily prescient suite of rhythmik pieces that sound unlike much library music you will have heard from the era.
